Events for April 17, 2017
Art is in our nature. Beyond the galleries, you can explore 100 acres of forested land in the Humber River Valley – from a ridgetop ‘wilderness garden,’ planted by the McMichaels to echo the northern forest beloved of the Group of Seven, to the heritage waterway important to indigenous peoples in this area.Find out more
The McMichael owes its existence and collection to the generosity of donors. A Foundation for Fifty Years will present some of the most significant donations made for the McMichael gallery’s founding year, 1966, by Signe and Robert McMichael, as well as their peers, who were all excited to make Canadian masterworks a gift to the public of Ontario. Installed in the McMichael’s principle gallery on the ground floor, this collection of masterworks celebrates our core artists - the Group of Seven and their contemporaries.Find out more
In the landscape art of the Group of Seven, the viewer has been conditioned to recognize the picturesque beauty of the Canadian forest. Fierce, strong, and often unspoiled, it reflected a sense of character for a developing nation. This exhibition, however, presents historical and contemporary art—including those of the Group and their associates—that suggests the forest is no symbol of glory; it is where beauty, mystery, fantasy, and darkness collide.Find out more
Many of the wilderness landscapes depicted in artworks by Tom Thomson and the Group of Seven were interpretations serving as symbols or metaphors of place. However, writers who positioned and promoted Thomson’s and the Group of Seven’s work within a geographical and Canadian nation-building narrative, created a sense of authenticity while aligning their imagery with political as well as commercial interests.Find out more
Lawren Harris sought greater and greater heights as his career progressed; from mountains to states of mind, he aimed to go higher. This iconic Canadian landscape painter took a seemingly unexpected turn toward abstract art in 1934 – the year in which he moved to the United States, where he remained until 1940. Higher States frames Harris in the larger North American context during his years in New Hampshire and New Mexico, and features an important presentation of his US counterparts, including Georgia O’Keeffe, Arthur Dove, and Marsden Hartley. Guest curators Dr. Roald Nasgaard and Gwendolyn Owens investigate the evolution of Harris’s painting from landscape to abstraction and demonstrate his integral role in cross-border artistic developments.Find out more
To , truth is given through oral tradition, mysticism, intuition, all cognition, not simply by observation and measurement of physical phenomena. To them, the ocularly visible apparition is not nearly as common as the purely auditory one; hearer would be a better term than seer for their holy men. ‐‐ Edmund Carpenter and Marshall McLuhan, Acoustic SpaceFind out more
Ontario’s Greenbelt is the solution for fresh air, clean water, and a thriving economy with healthy local food and active outdoor recreation. At 2 million acres, it’s the world’s largest permanently protected greenbelt, keeping our farmlands, forests, and wetlands safe and secure while fostering sustainable growth.Find out more
In July 1979, the McMichael was honoured to host Norval Morrisseau as artist-in-residence. For three weeks, Morrisseau worked in the Tom Thomson Shack where visitors could engage with the artist and see his painting process. He worked on sixteen paintings which were commissioned by the McMichael.Find out more
A Primary Exhibition organized by the McMichael Canadian Art Collection for Scotiabank CONTACT Photography Festival
Size Matters brings together the work of painter Steve Driscoll and photographer Finn O’Hara for their first-ever exhibition at a public art gallery.
These Toronto-based artists face a dichotomy familiar to many Millennials: urban lifestyles combined with a love for the outdoors. Their work is a creative response to the need for a sense of scale.