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Featured Exhibitions, UPCOMING EXHIBITION
Cutting Ice is a term that implies something that matters or has consequence. Dr. Nancy Campbell, acting as lead curator, will take a community approach to this project with a range of individuals from Cape Dorset who knew the artist. Dr. Campbell’s curatorial expertise will lend new insights to our understanding of Annie Pootoogook’s work and will enliven the many voices from the community that she has come to know well. This exhibition celebrates the strength and contemporaneity of Pootoogook’s work but also uncovers how it has influenced her peers. Alongside works by Pootoogook, this exhibition will include works of art by Shuvinai Ashoona, Itee Pootoogook, Jutai Toonoo, Ohotaq Mikkigak and Siassie Kenneally, showing how Annie Pootoogook made it possible to begin a different conversation that celebrates Inuit art in new ways in Canada and the world.
Consider this exhibition to be a love letter to Tom Thomson and Canada – two subjects at the core of the 2017-year as we celebrate Canada’s 150th year and the centenary of Thomson’s death. Passion Over Reason will take a critical approach to our fascination with Thomson and show how today’s current culture of hipster or lumbersexual fashion, as well as cultivation of outsider creed, has confirmed what Wieland pointed to in the 1970s: Thomson is Canada. This exhibition will also allow for an account of feminist approaches to the topic of Canada in art then and now.
J.E.H. MacDonald once noted that Lawren Harris was compelled to sing a tune when he sat nearby the natural rhythms of water to paint en plein air.During the summer of 2017 – Canada’s 150th year – the McMichael Canadian Art Collection will become a place to wander, celebrate and delight in acoustic space.
CURRENT EXHIBITIONS, Featured Exhibitions
Lawren Harris sought greater and greater heights as his career progressed; from mountains to states of mind, he aimed to go higher. This iconic Canadian landscape painter took a seemingly unexpected turn toward abstract art in 1934 – the year in which he moved to the United States, where he remained until 1940. Higher States frames Harris in the larger North American context during his years in New Hampshire and New Mexico, and features an important presentation of his US counterparts, including Georgia O’Keeffe, Arthur Dove, and Marsden Hartley. Guest curators Dr. Roald Nasgaard and Gwendolyn Owens investigate the evolution of Harris’s painting from landscape to abstraction and demonstrate his integral role in cross-border artistic developments.
The leading member of the Group of Seven, Lawren S. Harris has become one of the most recognizable figures in landscape painting in Canada. A lesser known side of Harris’s story is that he spent the second half of his career as an abstract painter.
Art is in our nature. Beyond the galleries, you can explore 100 acres of forested land in the Humber River Valley – from a ridgetop ‘wilderness garden,’ planted by the McMichaels to echo the northern forest beloved of the Group of Seven, to the heritage waterway important to indigenous peoples in this area.