To [Inuit], truth is given through oral tradition, mysticism, intuition, all cognition, not simply by observation and measurement of physical phenomena. To them, the ocularly visible apparition is not nearly as common as the purely auditory one; hearer would be a better term than seer for their holy men. ‐‐ Edmund Carpenter and Marshall McLuhan, Acoustic Space
The leading member of the Group of Seven, Lawren S. Harris has become one of the most recognizable figures in landscape painting in Canada. A lesser known side of Harris’s story is that he spent the second half of his career as an abstract painter.
In the landscape art of the Group of Seven, the viewer has been conditioned to recognize the picturesque beauty of the Canadian forest. Fierce, strong, and often unspoiled, it reflected a sense of character for a developing nation. This exhibition, however, presents historical and contemporary art—including those of the Group and their associates—that suggests the forest is no symbol of glory; it is where beauty, mystery, fantasy, and darkness collide.
The McMichael owes its existence and collection to the generosity of donors. A Foundation for Fifty Years will present some of the most significant donations made for the McMichael gallery’s founding year, 1966, by Signe and Robert McMichael, as well as their peers, who were all excited to make Canadian masterworks a gift to the public of Ontario. Installed in the McMichael’s principle gallery on the ground floor, this collection of masterworks celebrates our core artists - the Group of Seven and their contemporaries.