Acquisitions
Brian Jungen, Prototype for New Understanding #4, 1998
March 4, 2026Jungen’s Prototype for New Understanding #4, 1998, is an important early work of sculpture that recalls a Northwest Coast ceremonial mask but was created from deconstructed and repurposed athletic footwear.
F.H. Varley, Church in a Canyon, BC, 1929–30
February 7, 2026Church in a Canyon, BC, 1929–30, is a small but powerful work by F.H. Varley (1881–1969) of the Group of Seven.
Marian Dale Scott, Portrait of Lois Gordon in a Russian Dress, 1935
February 5, 2026Portrait of Lois Gordon in a Russian Dress, 1935, is a singular work in the career of Marian Dale Scott, a pioneering modernist and important figure in twentieth-century art in Canada.
Camille Turner, Pride and Possibilities, 2012
February 5, 2026Camille Turner (b. 1960) is a Jamaican Canadian artist who works in photography, video, and performance.
Lawren Harris, Mount Lefroy, c. 1929
January 2, 2026Mount Lefroy, c. 1929, by the Group of Seven's Lawren S. Harris (1885–1970), is one of the five known graphite studies for his iconic painting Mt. Lefroy, 1930, a standout in the McMichael collection.
Nep Sidhu and Nicholas Galanin, SHE in Mud Form, 2015–16
December 27, 2025SHE in Mud Form, 2015–16, is a landmark cross-cultural collaboration between Nep Sidhu and Nicholas Galanin, forming part of their ongoing series No Pigs in Paradise.
Kent Monkman, Compositional Study for “tâpwêwin (Truth),” 2025
December 23, 2025Kent Monkman (b. 1965) is a leading Cree visual artist from Fisher River Cree Nation in Treaty 5 Territory, Manitoba, and is currently based in Toronto. Compositional Study for "tâpwêwin (Truth)," 2025, is part of Monkman’s new Knowledge Keeper series, a body of work examining the history and enduring impact of Canada’s residential school system.
Native Art Department International, Aanzinaago (Caught in a Transformation) 01, 2024
November 10, 2025Last year at Art Toronto we acquired Aanzinaago (Caught in a Transformation) 01, 2024, by Native Art Department International (NADI), for the collection at the McMichael. NADI is a collaborative long-term project created and administered by the Ojibwe Anishinaabe performance artist, sculptor, and mixed-media artist Maria Hupfield (b. 1975) and the Chiricahua Apache and Mexican multimedia artist Jason Lujan (b. 1971).
Kananginak Pootoogook, Two Caribou, 2008–2009
November 10, 2025Two Caribou, 2008–2009, by Kananginak Pootoogook (1935–2010), is a rich example of contemporary drawing from Kinngait (formerly Cape Dorset), Nunavut, depicting two bull caribou locked in battle, perhaps over a mate. Hooves fly and antlers clash, lending a sense of immediacy to the conflict.
Anne Low, Dream Meadow, 2023
November 10, 2025Dream Meadow, 2023, is a textile-based sculpture made by the artist Anne Low (b. 1981) in her former studio on Denman Island in British Columbia. The work comprises a long skirt and pocketed apron with attached adornments. The striped textiles used to create the skirt and its lining were handwoven by the artist on a loom with hand-dyed wool and silk, using eighteenth- and nineteenth-century weaving techniques and historic patterns.