Wolves: The Art of Dempsey Bob offers a personal encounter with the work of the leading carver of British Columbia’s Northwest Coast, and an immersive experience of the Tahltan and Tlingit mainland cultures. This first-ever retrospective surveys Dempsey Bob’s development from his early days as a student of legendary female carver Freda Diesing through to his late career masterworks, which advance the traditions of carving in the 21st century.

William Kurelek's suite of paintings title Jewish Life in Canada was made to honour his friendship with the Toronto art dealer Avrom Isaacs.

Generations: The Sobey Family and Canadian Art will tell the story of one family’s visionary engagement with Canadian and Indigenous art.

While women artists of the early twentieth century are known for depicting interior spaces as places of privacy and domestic quietude, Margaux Williamson’s interiors reveal spaces of creativity, subjectivity, and a kind of anarchic experimentation.

Among the great treasures of the McMichael Canadian Art Collection is a group of fifty-four jewel-like miniatures by the artist Clarence Gagnon.

One of Canada’s most beloved folk artists, Maud Lewis (1903 - 1970) was famous in her lifetime for her brightly coloured and endearing paintings of rural Nova Scotia.

This exhibition of new textile works by Baker Lake artist Janet Nungnik (b.1954) was produced over a period of more than 15 years. Nungnik’s embroidered and appliqued images tell her life story and that of her people, the Padlermiut, a small group of inland dwelling Inuit whose traditional territory lay to the south of Baker Lake, Nunavut.

The McMichael Canadian Art Collection is pleased to present a retrospective of over 80 drawings and ephemera by the late Itee Pootoogook (1951 – 2014) as part of an ongoing analysis of the careers of contemporary Inuit trailblazers.

Louie Palu’s project provides a window onto the evolving perceived state of the militarization in the North American Arctic, documenting the vestigial legacies of the Cold War and the increased military presence in the north today.

Marie-Claire Blais (b. 1974, Lévis) is a leading light of contemporary art in Montreal, yet until now her work has not been presented in a major Canadian museum. Blais extends the language of abstraction into the contemporary movement, painting on canvas and then cutting, shredding and unraveling the painting surface to produce subtle works that hover between sculpture and painting.