This exhbition includes more than 100 photographs taken by John Macfie (1925–2018), a settler trapline manager who worked in Northern Ontario in the 1950s and 1960s. Macfie travelled with a camera, recording life in Anishinaabe, Cree, and Anisininew communities during a period of intense and rapid change. The people and places of Attawapiskat, Sandy Lake, Mattagami, and other communities across the Hudson's Bay watershed are revealed through his lens in ways that emphasize the warmth and continuity of community life. Curated by nîpisîhkopâwiyiniw (Willow Cree) curator, writer, journalist, cultural advocate, and commentator Paul Seesequasis, the exhibition centers the lives and resiliency of the Indigenous people represented, many of whom have been identified by Macfie and Seesequasis.
In the late 19th century, the Impressionist movement found a footing in Canada, and Quebec artists quickly responded with works of rare beauty and sophistication. Many Quebec artists trained in France during this period, carrying the pollen of European modernism back with them to Canadian soil. Landscape and city scenes were staples of their work, and this show will assemble a choice collection of master works that trace a journey from the bustling streets of Montreal—then Canada’s financial capital—down the St. Lawrence River to Quebec City, through the beloved Charlevoix region and out to the windswept cliffs of the Gaspé Peninsula. The exhibition will offer not just a magisterial statement on the outstanding quality of Quebec painting, but also a glimpse into the heart and soul of a culture, seen through the eyes of her most beloved and foundational artists. The survey will include works by William Brymner, Ozias Leduc, James Wilson Morrice, Henrietta Mabel May, Marc-Aurèle de Foy Suzor-Coté, Maurice Cullen, Clarence Gagnon, and others, and will be drawn from a host of public and private collections. To accent these works, archival photography and objects of material culture from the period will be added to deepen the viewer’s experience of the moment in which the artists were working, augmented by historic recordings drawn from Quebecois musical culture. The result will be an immersive time-travel experience like no other.
Jackson’s Wars: A.Y. Jackson before the Group of Seven June 22, 2024 - January, 2025 About the Exhibition Jackson’s Wars: A.Y. Jackson before the Group of Seven is a rare examination of the work of painter Alexander Young (A.Y.) Jackson (1882–1974) in the decade before the Group [...]