{"id":37223578525,"date":"2024-10-23T15:02:59","date_gmt":"2024-10-23T19:02:59","guid":{"rendered":"https:\/\/mcmichael.com\/?post_type=tribe_events&p=37223578525"},"modified":"2025-11-27T14:26:28","modified_gmt":"2025-11-27T19:26:28","slug":"worlds-on-paper-drawings-from-kinngait","status":"publish","type":"exhibition","link":"https:\/\/mcmichael.com\/fr\/exposition\/worlds-on-paper-drawings-from-kinngait\/","title":{"rendered":"Worlds on Paper: Drawings from Kinngait"},"content":{"rendered":"

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\u14c4\u14c7\u1550\u152a\u140a\u1449 \u1438\u1403\u1449\u1439\u14a6\u1466\u1450\u1466: \u144e\u144e\u1585\u1450\u1490\u1403\u1466 \u146d\u1675\u1550\u14c2\u1483<\/h1><\/div>

Worlds on Paper: Drawings from Kinngait<\/h1><\/div>
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March 8 – August 24, 2025<\/span><\/span><\/h2><\/div><\/div><\/div>
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CD.25.2734, Ningeeuga Oshuitoq (1918 - 1980),\n Untitled<\/em>, 1978, coloured pencil, felt-tip pen on paper, 50.5 \u00d7 65.5 cm (19 7\/8 \u00d7 25 13\/16 in.)<\/p><\/div><\/div><\/div><\/div><\/div>

Get Exhibition Tickets<\/span><\/a><\/div><\/div><\/div><\/div><\/div>

\u1431\u148b\u140a\u1585\u1450\u14a5\u14c3\u1466 1959\u2212\u14a5, \u146d\u1675\u1403\u1466 \u146f\u140a\u1438\u1483\u146f\u158f\u1466 (WBEC) \u146d\u1675\u1550\u14c2 (Cape Dorset) \u14ef\u1557\u14ea\u14d5\u1585\u1438\u1405\u14ef\u14aa\u152a\u1466 \u1431\u14ef\u14aa\u1466\u14f1\u144e\u1483 \u1403\u14c4\u1403\u1466 \u14c4\u14c7\u1593\u14d0\u14c2\u1483 (\u1403\u14c4\u1403\u1466 \u14c4\u14c7\u158f\u1466), \u1455\u146f\u14d0\u14c8\u1585\u1455\u1405\u14ef\u14aa\u1466\u14f1\u144e\u1483 \u140a\u1451\u144e\u14d5\u14d0\u14c2\u1483 \u140a\u1450\u1403\u14d0\u14c7\u1405\u144e\u1466\u14ef\u148d\u1455\u1405\u148d\u14d0\u14c7\u1546\u140a\u158f\u1466 \u1431\u152d\u1546\u140a\u14d5\u14d0\u14c2\u1483 \u1431\u1528\u1466\u14ef\u154b\u1405\u144e\u14c2\u14ea\u14d7 \u1405\u146d\u1405\u1585\u1455\u1585\u1450\u14a5 \u14c4\u14c7\u14d5\u14d5\u14d0\u14c4\u1466. \u146f\u140a\u1438\u1483\u146f\u1466 \u1431\u148b\u140a\u1550\u1555\u1405\u14ef\u14aa\u14bb\u14a5\u152a\u1466 \u146d\u1675\u1550\u14c2 \u144e\u144e\u1585\u1450\u1490\u1550\u1555\u14d0\u14c4\u1466. \u14ab\u14d0\u14c7 \u1403\u158f\u1550\u154b\u14ef\u14aa\u14d5\u1585\u1450\u1466 \u140a\u1550\u154c\u148d\u14c4\u1466 65\u2212\u14c4\u1466, \u144e\u144e\u1585\u1450\u1490\u1550\u1555\u1483 \u140a\u14a5\u14f1\u140a\u14d7\u14d0\u14c4\u1466 \u1583\u14d0\u14c7\u14da\u158f\u14d0\u14c3\u1466\u1450\u14c4\u1466 \u144e\u144e\u1585\u1450\u1490\u1550\u1555\u1405\u14ef\u14aa\u152a\u1585 \u140a\u14bb\u14aa\u14d7 \u14ab\u14d0\u14c7\u14a7\u1466 2,400 \u1405\u1593\u1456\u14c3\u1466\u1450\u14c2\u1483 \u144e\u144e\u1585\u1450\u1490\u14d5\u1405\u1550\u1555\u1405\u14ef\u14aa\u152a\u1585 \u14c7\u14ea\u14d5\u1405\u14c2\u1585\u14ef\u1405\u1548\u1455\u1405\u1559\u1466\u1450\u14c2\u1483 \u14c4\u14c7\u1550\u152a\u140a\u14d5\u14ab\u14a5.<\/p>\n

1990\u2212\u14a5, \u1405\u1593\u1456\u14c3\u1466\u1450\u1466 90,000 \u144e\u144e\u1585\u1450\u1490\u148b\u140a\u1675\u1403\u1466 \u14f4\u14c7\u152d\u1405\u14ef\u14aa\u152a\u1466 \u144e\u144e\u1585\u1450\u1490\u14d5\u1405\u1550\u1555\u14bb\u14a5 \u140a\u1405\u14ea\u14da\u1585\u144e\u1455\u1405\u14ef\u14aa\u152a\u1466 \u14aa\u1483\u14aa\u1403\u146f\u14ea \u1472\u14c7\u1403\u144e\u140a\u14d0 \u14f4\u14c7\u1405\u1490\u1550\u14c2\u1483 \u14c4\u140a\u1466\u14ef\u1528\u14c4\u1466, \u1438\u1438\u1455\u1405\u14ef\u14aa\u1671\u14d0\u14c7\u1585\u14f1\u144e\u1483 \u14ab\u14d0\u14c7\u14a7\u14c4\u1466 \u146d\u14a1\u1490\u1585\u1450\u1585\u1455\u1405\u1466\u14f1\u144e\u1483 \u146f\u140a\u1438\u1483\u146f\u158f\u1466 \u146d\u1675\u1403\u1466. \u1431\u152d\u1547\u14d5\u1585\u1450\u1585 \u1583\u1546\u1455\u1405\u152d\u1483\u146f\u1466 \u140a\u153e\u1528\u14d5\u1405\u1585\u1455\u1405\u14ef\u14aa\u14c2\u158f\u1466 \u1403\u1466\u14f4\u1550\u14c2\u1455\u1550\u14c5\u1593\u152a\u14c2 2023\u2212\u14a5 \u1431\u1555\u1583\u1585\u144e\u1466\u14ef\u14ef\u14aa\u152a\u1585 \u1405\u1593\u1455\u1405\u153e\u1528\u152d\u1405\u14ef\u14aa\u1671\u1466\u1450\u14c2\u1483 \u1583\u1405\u1528\u14f4\u1550\u14c2\u1405\u152a\u14c2\u1483 \u1455\u146f\u1490\u152d\u1583\u1550\u1555\u14d0\u14c4\u14ea\u14d7 \u140a\u1450\u1403\u14d0\u14c7\u1405\u14ef\u14aa\u1466\u14f1\u144e\u1483, \u14c4\u1456\u14c2\u1483 \u1455\u146f\u148d\u1455\u1405\u1559\u14ea\u14d5\u140a\u1466\u14f1\u144e\u1483 \u144e\u144e\u1585\u1450\u1490\u1403\u1466 \u144e\u144e\u1585\u1450\u1490\u14d5\u140a\u1591\u14c2\u158f\u1466\u1455 \u140a\u1405\u14da\u14c2\u158f\u14d0\u14c2\u1483, \u146d\u14ef\u140a\u14c2\u1466\u1455\u1405\u1585 \u1403\u14bb\u14a5\u1483\u146f\u1466 \u14f4\u14c7\u1405\u1490\u1550\u14c5\u1593\u14bb\u14a5\u152a\u1466. \u140a\u14bb\u14aa\u14d7, \u144e\u144e\u1585\u1450\u1490\u1403\u1466 \u1455\u146f\u148d\u144e\u148b\u148d\u14d0\u14c7\u154b\u1466\u144e\u148d \u1403\u14c4\u1403\u1466 \u1403\u14c5\u14ef\u158f\u14d0\u14c2\u1483 \u146d\u1675\u1550\u14c2 \u140a\u1466\u1450\u1585\u1455\u1405\u14ef\u14aa\u1490\u144e\u1483 \u1455\u146f\u14d0\u14c7\u1550\u14c2\u158f\u14d0\u14c4\u1466 \u144e\u146d\u154c\u1591\u152a\u1466 \u140a\u1405\u14da\u1466\u14ef\u1529\u1466 \u14c2\u1548\u140a\u1585\u14ef\u14aa\u152a\u1466 \u144e\u144e\u1585\u1450\u1490\u1550\u14c2\u1483 \u144e\u144e\u1585\u1450\u1490\u14d5\u140a\u1591\u1490\u152d\u1585\u1450\u14c2\u1483 \u1583\u14ea\u14d7\u14c8\u1466 \u14c4\u14c7\u1593\u14d0\u14c2.<\/p>\n

\u1403\u14da\u1403\u14d0\u14c7\u158f\u1466 \u144e\u144e\u1585\u1450\u1490\u1403\u1466 \u1403\u1466\u14f4\u1550\u14c2\u1455\u1550\u14c3\u1466\u1450\u1466 \u144e\u144e\u1585\u1450\u1490\u14d5\u140a\u1591\u14ef\u14aa\u152a\u1466, \u140a\u14a5\u14f2\u14c2\u1585\u14f4\u1403\u1466 \u1450\u1585\u146f\u1585\u1455\u1405\u14ef\u14aa\u1450\u1403\u14d0\u14c7\u1585\u1450\u1466, \u140a\u14a5\u14f1\u140a\u14d7\u158f\u1466 \u1455\u146f\u148d\u152d\u1405\u14ef\u14aa\u1490\u144e\u1483 \u1455\u14aa\u14d0\u14c7\u1405\u14d5\u14da\u1405\u1585\u144e\u14d0\u14c7\u148d. \u144e\u144e\u1585\u1451\u144e\u1450\u1403\u14d0\u14c7\u1550\u14c4\u1466 \u144e\u144e\u1585\u1450\u1490\u1403\u1466 \u140a\u14bb\u14aa\u14d7 \u1406\u14bb\u14aa\u1546\u1466\u1450\u1466 \u140a\u14a5\u140a\u1585\u14ef\u14aa\u152a\u1466 \u144e\u144e\u1585\u1450\u1490\u1403\u1466 \u1405\u14ea\u14d7\u14a5\u14a8\u1593\u14d5\u1585\u1450\u1466, \u144e\u144e\u1585\u1450\u1490\u1585\u144e\u158f\u1466 \u146d\u1675\u1403\u1466 \u1455\u146f\u1466\u14f4\u1405\u144e\u1466\u14ef\u14ef\u14aa\u152a\u1466 \u1583\u14c4\u1403\u1466\u1450\u1450\u1403\u14d0\u14c7\u1550\u14c2\u1483 \u14c4\u14c7\u1550\u152a\u140a\u1550\u14a5\u14c2\u1483 \u1438\u1403\u1449\u1439\u1550\u14a8\u1466\u14f1\u148b\u1466 \u140a\u1550\u154c\u148d\u154b\u14f4\u14d0\u14c2\u1483, \u1455\u146f\u144e\u1466\u14ef\u148d\u1455\u1405\u1466\u14f1\u144e\u1483 \u1406\u14bb\u14aa\u1546\u1466\u1450\u14c2\u1483 \u14c4\u14c7\u14d5\u14d0\u14c2\u1483 \u1431\u1585\u146f\u14ef\u1585<\/p>\n<\/div><\/div><\/div><\/div><\/div>

The recent digitization of the Kinngait Drawings Archive\u201490,000 works strong and held by the McMichael for more than three decades\u2014has allowed unprecedented curatorial access to the origins of this now world-renowned graphic tradition.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

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Pudlo Pudlat (1916\u20131992), Untitled, 1984-85, graphite, coloured pencil and felt-tip pen on paper, 50.5 cm x 66.2 cm, collection of the West Baffin Eskimo Co-operative Ltd., on loan to the McMichael Canadian Art Collection CD.24.3908. \u00a9 Dorset Fine Arts<\/p><\/div><\/div><\/div><\/div><\/div>

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Pitseolak Ashoona (1904\u20131983), Ship<\/em>, 1981, coloured pencil and felt-tip pen on paper, 51.2 cm x 66.7 cm, collection of the West Baffin Eskimo Co-operative Ltd., on loan to the McMichael Canadian Art Collection CD.27.6599 \u00a9 Dorset Fine Arts<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Curated by <\/span>Emily Laurent Henderson<\/span><\/b>, Associate Curator, Indigenous Arts and Culture at McMichael, this once-in-a-generation exhibition of more than 200 works foregrounds the cultural continuities of life in Kinngait in the face of dramatic societal change over more than five decades. The adaptability and resilience of this unique community has been documented in works that depict intergenerational knowledge transfer, community building, and boundless imagination.<\/span><\/p>\n

This exhibition reveals overlooked bodies of work by some of the country\u2019s most beloved artists including <\/span>Kenojuak Ashevak<\/span><\/b>, <\/span>Pitseolak Ashoona<\/span><\/b>, <\/span>Kananginak Pootoogook<\/span><\/b>, and <\/span>Pudlo Pudlat<\/span><\/b> and introduces audiences to hitherto unknown artists whose work was suppressed by the aims of the print program that prioritized the tastes of settler markets in the South. <\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"family<\/a><\/span>
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Anirnik Oshuitoq (1902\u20131983), Untitled<\/em>, 1967 - 1975, felt-tip pen on paper, 51 \u00d7 66 cm (20 1\/16 \u00d7 26 in.)<\/p><\/div><\/div><\/div><\/div><\/div>

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Kingmeata Etidlooie (1915\u20131989), Untitled<\/em>, acrylic paints on paper, 51.6 cm x 65.3 cm, collection of the West Baffin Eskimo Co-operative Ltd., on loan to the McMichael Canadian Art Collection CD.23.4020. \u00a9 Dorset Fine Arts<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Artists<\/h3><\/div><\/div><\/div>

The exhibition includes the work of 48 artists, some well-known and others nearly unknown.<\/p>\n<\/div>

\"Inuit<\/span>
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Inuit artists of the Cape Dorset co-operative, 1961. From left, top row: Napachie Pootoogook, Pudlo Pudlat; bottom row: Egevadluq Ragee, Kenojuak Ashevak, Lucy Qinnuayuak, Pitseolak Ashoona, Kiakshuk, Parr. Photograph by B. Korda.<\/p><\/div><\/div><\/div><\/div><\/div>

\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Tye Adla<\/td>\nElisapee Nungusuituq<\/td>\nOsoochiak Pudlat<\/td>\n<\/tr>\n
Johnniebo Ashevak<\/td>\nSorosoluto Onalik<\/td>\nPudlo Pudlat<\/td>\n<\/tr>\n
Kenojuak Ashevak<\/td>\nAnirnik Oshuitoq<\/td>\nQabaroak Qatsiya<\/td>\n<\/tr>\n
Kiugak Ashoona<\/td>\nNingeeuga Oshuitoq<\/td>\nAoudlaluk Qayuaryuk<\/td>\n<\/tr>\n
Mayoreak Ashoona<\/td>\nParr<\/td>\nLukta Qiatsuq<\/td>\n<\/tr>\n
Pitseolak Ashoona<\/td>\nPaunichea<\/td>\nLucy Qinnuayuak<\/td>\n<\/tr>\n
Sorosiluto Ashoona<\/td>\nSheouak Petaulassie<\/td>\nTikitu Qinnuayuak<\/td>\n<\/tr>\n
Tukikie Atamik<\/td>\nUlayu Pingwartok<\/td>\nEgevadluq Ragee<\/td>\n<\/tr>\n
Etulu Etidloie<\/td>\nPeter Pitseolak<\/td>\nKakulu Saggiaktok<\/td>\n<\/tr>\n
Etidlooie Etidlooie<\/td>\nKananginak Pootoogook<\/td>\nPauta Saila<\/td>\n<\/tr>\n
Kingmeata Etidlooie<\/td>\nNapachie Pootoogook<\/td>\nPitaloosie Saila<\/td>\n<\/tr>\n
Kunu<\/td>\nSharni Pootoogook<\/td>\nKeeleemeeoomee Samualie<\/td>\n<\/tr>\n
Qavavau Manumie<\/td>\nAoudla Pudlat<\/td>\nOviloo Tunnillie<\/td>\n<\/tr>\n
Qaunaq Mikkigak<\/td>\nInnukjuakju Pudlat<\/td>\n<\/td>\n<\/tr>\n
Natsivaar<\/td>\nMary Pudlat<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

<\/i><\/i><\/span>List of Artists<\/span><\/a><\/h4><\/div>
\n\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Anirnik Oshuitoq<\/td>\nKingmeata Etidlooie<\/td>\nPeter Pitseolak<\/td>\n<\/tr>\n
Aoudla Pudlat<\/td>\nKunu<\/td>\nPitaloosie Saila<\/td>\n<\/tr>\n
Aoudlaluk Qayuaryuk<\/td>\nLucy Qinnuayuak<\/td>\nPitseolak Ashoona<\/td>\n<\/tr>\n
Atamik Tukikie<\/td>\nLukta Qiatsuk<\/td>\nPudlo Pudlat<\/td>\n<\/tr>\n
Egevadluq Ragee<\/td>\nSheouak Petaulassie<\/td>\nQabaroak Qatsiya<\/td>\n<\/tr>\n
Elisapee Nungusuituq<\/td>\nMary Pudlat<\/td>\nQaunaq Mikkigak<\/td>\n<\/tr>\n
Etidlooie Etidlooie<\/td>\nMayoreak Ashoona<\/td>\nQavavau Manumie<\/td>\n<\/tr>\n
Etulu Etidlui<\/td>\nNapachie Pootoogook<\/td>\nSharni Pootoogook<\/td>\n<\/tr>\n
Innukjuakju Pudlat<\/td>\nNatsivaar<\/td>\nSheouak Petaulassie<\/td>\n<\/tr>\n
Johnniebo Ashevak<\/td>\nNingeeuga Oshuitoq<\/td>\nSorosiluto Ashoona<\/td>\n<\/tr>\n
Kakulu Sagiatuk<\/td>\nOshutsiak Pudlat<\/td>\nSorosoluto Onalik<\/td>\n<\/tr>\n
Kananginak Pootoogook<\/td>\nOviloo Tunnillie<\/td>\nTikitu Qinnuayuak<\/td>\n<\/tr>\n
Keeleemeeoomee Samualie<\/td>\nParr<\/td>\nTye Adla<\/td>\n<\/tr>\n
Kenojuak Ashevak<\/td>\nPaunichea<\/td>\nUlayu Pingwartok<\/td>\n<\/tr>\n
Kiawak Ashoona<\/td>\nPauta Saila<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

About the Exhibition Curator<\/span><\/span><\/h3><\/div>
\"Emily<\/span><\/div><\/div><\/div>

Emily Laurent Henderson<\/strong> is an Inuk curator, arts writer and poet with a practice rooted in Indigenous creative sovereignty.<\/p>\n

Henderson was the first full-time Inuk editor at the legacy publication the Inuit Art Quarterly<\/em>, and in 2019 co-led a special issue of the magazine that focused on the Inuit artist collective Isuma who represented Canada at the 58th Venice Biennale the same year.<\/p>\n

A former member of the Indigenous and Canadian art curatorial team at the Art Gallery of Ontario, her articles and commentary have been featured in the Inuit Art Quarterly<\/em>, Inuktitut Magazine<\/em>, C Magazine<\/em>, Azure<\/em>, Studio Magazine<\/em>, and other national titles.<\/p>\n

In 2024 her book of poetry Hold Steady My Vision<\/em> was published by Print Studio Guelph.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Buy the Book<\/h4><\/div>

Worlds on Paper: Drawings from Kinngait<\/h3><\/div>
Published by \"Figure<\/h5><\/div>

at the Gallery Shop<\/strong><\/p>\n<\/div>

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