{"id":37223579020,"date":"2025-01-21T13:32:17","date_gmt":"2025-01-21T18:32:17","guid":{"rendered":"https:\/\/mcmichael.com\/?post_type=tribe_events&p=37223579020"},"modified":"2025-11-27T14:23:16","modified_gmt":"2025-11-27T19:23:16","slug":"dreaming-forward-contemporary-drawings-from-kinngait","status":"publish","type":"exhibition","link":"https:\/\/mcmichael.com\/fr\/exposition\/dreaming-forward-contemporary-drawings-from-kinngait\/","title":{"rendered":"Dreaming Forward: Contemporary Drawings from Kinngait"},"content":{"rendered":"

<\/span><\/span><\/span>

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Dreaming Forward: Contemporary Drawings from Kinngait <\/span><\/h1><\/div>
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March 8 – August 24, 2025<\/h2><\/div><\/div><\/div>
\"School<\/a><\/span>
<\/div>

Ohotaq Mikkigak (1936\u20132014), School Bus and Houses, 2012, [medium?], 110.5 x 151.1 cm, Christopher Bredt & Jamie Cameron. \u00a9 Dorset Fine Arts.<\/p><\/div><\/div><\/div><\/div><\/div>

Get Exhibition Tickets<\/span><\/a><\/div><\/div><\/div><\/div><\/div>

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Since the 1990 transfer of 90,000 works on paper from the West Baffin Eskimo Co-operative to the McMichael Canadian Art Collection, new generations of Kinngait artists have emerged onto the contemporary art scene, capturing visions of their community into the new millennium.<\/p>\n<\/div>

From the exacting, illustrative style of artists such as Itee Pootoogook and Tim Pitsiulak, to the dreamscapes of Ooloosie Saila and Shuvinai Ashoona, Kinngait artists have continued to innovate with drawing as a medium unto itself\u2014moving beyond its role as a preparatory step in the printmaking process. In the 2000s, artistic practice shifted with the introduction of large-scale works on paper and an embrace of candid, often humorous depictions of contemporary Inuit life. Prefabricated houses, snow machines, and trips to the co-op store mark the established way of life in the hamlet today, but the values of cooperation and care remain the same.<\/p>\n

Curated by Emily Laurent Henderson, Associate Curator, Indigenous Arts and Culture at McMichael, this exhibition is presented in dialogue with Worlds on Paper: Drawings from Kinngait<\/a><\/em>.<\/p>\n<\/div>

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\"<\/a><\/span>
<\/div>

Derek Sullivan (b. 1976), Out Standing in a Field (detail)<\/em>, 2021\u201322, coloured pencil on Rising Museumboard, 133.4 x 101.6 cm, Art Gallery of Ontario, Toronto, purchased with funds from the Dr. Michael Braudo Contemporary Canadian Fund, 2024, 2024\/21.2. \u00a9 Derek Sullivan.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

About the Exhibition Curator<\/span><\/span><\/h3><\/div>
\"Emily<\/span><\/div><\/div><\/div>

Emily Laurent Henderson<\/strong> is an Inuk curator, arts writer and poet with a practice rooted in Indigenous creative sovereignty.<\/p>\n

Henderson was the first full-time Inuk editor at the legacy publication the Inuit Art Quarterly<\/em>, and in 2019 co-led a special issue of the magazine that focused on the Inuit artist collective Isuma who represented Canada at the 58th Venice Biennale the same year.<\/p>\n

A former member of the Indigenous and Canadian art curatorial team at the Art Gallery of Ontario, her articles and commentary have been featured in the Inuit Art Quarterly<\/em>, Inuktitut Magazine<\/em>, C Magazine<\/em>, Azure<\/em>, Studio Magazine<\/em>, and other national titles.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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