
{"id":37223501524,"date":"2013-03-21T20:55:09","date_gmt":"2013-03-22T00:55:09","guid":{"rendered":"http:\/\/mcmichael1.wpenginepowered.com\/?p=37223501524"},"modified":"2025-11-17T11:55:11","modified_gmt":"2025-11-17T16:55:11","slug":"contemporary-native-north-american-art-transcends-tradition-in-changing-hands-3-at-the-mcmichael-canadian-art-collection","status":"publish","type":"press-release","link":"https:\/\/mcmichael.com\/fr\/communique-de-presse\/contemporary-native-north-american-art-transcends-tradition-in-changing-hands-3-at-the-mcmichael-canadian-art-collection\/","title":{"rendered":"Contemporary Native North American Art Transcends Tradition in Changing Hands 3 at the McMichael Canadian Art Collection"},"content":{"rendered":"<h2><strong>FOR IMMEDIATE RELEASE<\/strong><\/h2>\n<p><strong>March 21, 2013, KLEINBURG ON<\/strong>\u2014Currently on display at the McMichael, the third<\/p>\n<p>and final exhibition in the Museum of Arts and Design\u2019s groundbreaking series<\/p>\n<p><em>Changing Hands: Art Without Reservation 3, Contemporary Native North American Art<\/em><\/p>\n<p><em>from the Northeast and Southeast<\/em> features eighty-three artists from Canada and the<\/p>\n<p>United States, who represent a new generation of indigenous artists utilizing<\/p>\n<p>contemporary techniques, materials, aesthetics, and iconography in their art and design<\/p>\n<p>practice. Changing Hands 3 presents incredible works created in the last seven years by Aboriginal artists in regions east of the Mississippi, including the Great Lakes,<\/p>\n<p>Woodlands, Northeast, Southeast, and up through the Canadian Sub Arctic. On view<\/p>\n<p>through June 2, 2013, the exhibition transcends ethnographic and anthropological<\/p>\n<p>interpretations and challenges preconceived notions and stereotypes of indigenous art<\/p>\n<p>and artists to effect a re-evaluation of contemporary Aboriginal art in an international<\/p>\n<p>arena.<\/p>\n<p><em>Changing Hands 3<\/em> features more than 130 works, ranging from site-specific installations and video to sculpture and jewellery\u2014approximately twenty-five of which were designed and created specifically for the exhibition. Following its New York City premiere, the exhibition traveled to museums in the United States, including the Memorial Art Gallery at the University of Rochester in Rochester, NY, and is now on at the McMichael Canadian Art Collection.<\/p>\n<p>The works in the <em>Changing Hands 3 <\/em>exhibition at the McMichael, organized by guest<\/p>\n<p>curator Ellen Taubman in collaboration with Museum of Arts and Design\u2019s Chief Curator<\/p>\n<p>David McFadden, come from a broad cross-section of indigenous cultures, including<\/p>\n<p>Native Americans from the US, and First Nations, M\u00e9tis, and Inuit from Canada.<\/p>\n<p>Featured artists are presented without tribal designations, however, and the exhibition is structured around three significant themes that illuminate artistic, intellectual, and<\/p>\n<p>cultural resonances among Aboriginal artists:<\/p>\n<ul>\n<li>\u201cEvolution and Exploration\u201d examines how Aboriginal artists are reinterpreting<\/li>\n<\/ul>\n<p>their cultural traditions through contemporary perspectives, and includes the work<\/p>\n<p>of scholar and beadwork artist<strong> Joe Baker<\/strong>, whose creative use of colour and<\/p>\n<p>patterning in textiles is based on the complex floral and geometric elements that<\/p>\n<p>once decorated early bandolier bags among the Delaware and Southeastern<\/p>\n<p>people; performance and mixed media artist <strong>Barry Ace<\/strong>, who uses computer<\/p>\n<p>components in lieu of the more \u201ctraditional\u201d glass trade beads identified with<\/p>\n<p>many Aboriginal groups; <strong>Jeremy Frey<\/strong>, whose innovative sculptural baskets<\/p>\n<p>reference early Maine basketry techniques; and <strong>Jamie Zane Smith<\/strong>, who has<\/p>\n<p>developed an entirely new language of ceramics through the study of prehistoric<\/p>\n<p>and proto-historic forms among the Wyandot tribe.<\/p>\n<ul>\n<li>\u201cNatural Selection\u201d features a group of artists whose works respond to and<\/li>\n<\/ul>\n<p>investigate nature through the lens of contemporary art, including <strong>Michael<\/strong><\/p>\n<p><strong>Belmore<\/strong>, whose sculpture of steel and sterling silver moulded around a river<\/p>\n<p>stone reflects the past, when waterways connected each other and the outside<\/p>\n<p>world before transportation and information highways; acclaimed sculptor and<\/p>\n<p>glass artist <strong>Robert Tannahill<\/strong>, who creates stylized \u201cmasks\u201d that represent the<\/p>\n<p>interplay of natural wood forms and molten glass; and the beadwork of <strong>Nadia<\/strong><\/p>\n<p><strong>Myre<\/strong>, assembled into large, textured tondos in sombre blues, blacks, and greys,<\/p>\n<p>resembling planets or darkened pools.<\/p>\n<ul>\n<li>\u201cDe-Coding History\/Historical Provocation\u201d presents works that are often<\/li>\n<\/ul>\n<p>politically nuanced and contrast the realities of history with the mythology of<\/p>\n<p>cultural assimilation that has marginalized much indigenous art. Among the<\/p>\n<p>featured artists are <strong>Robert Houle<\/strong>, whose work addresses the disruption and<\/p>\n<p>dislocation of individuals, families, and often times, entire cultures as well as the<\/p>\n<p>public apology made by the Canadian government for the mistreatment of<\/p>\n<p>indigenous peoples in government residential schools. His installation, <em>Sandy<\/em><\/p>\n<p><em>Bay Residential Schoo<\/em>l, which is featured in the exhibition, recounts his<\/p>\n<p>experience at a residential school after being removed from his family at a very<\/p>\n<p>young age; mixed media artist <strong>Shan Goshorn<\/strong>, whose featured woven basket is<\/p>\n<p>comprised of a photograph of Native schoolchildren and adults at a typical<\/p>\n<p>boarding school, titled <em>Educational Genocide: The Legacy of the Carlisle Indian<\/em><\/p>\n<p><em>Boarding School<\/em>; and performance and installation artist <strong>Kent Monkman<\/strong>, who<\/p>\n<p>questions history, colonization, boundaries of identity, gender, and more in a<\/p>\n<p>broad body of work, evidenced in this exhibition with a number of works,<\/p>\n<p>including the film <em>Shooting Geronimo<\/em>, which highlights the way Hollywood has<\/p>\n<p>caricatured indigenous people in film.<\/p>\n<p>\u201c<em>Changing Hands 3<\/em> provides audiences with a sensory experience of the complex,<\/p>\n<p>multilayered work of contemporary Aboriginal artists as they confront cultural<\/p>\n<p>expectations, reclaim lost traditions, and create a new identity for themselves shaped by historical, political, and personal circumstances,\u201d says Ellen Taubman, <em>Changing Hands<\/em> curator. \u201cThrough an extraordinary melding of past and present, and direct opposition between stereotype and tradition, the Aboriginal artists featured in the exhibition confront what Aboriginal art has meant and what it means today.\u201d<\/p>\n<p><strong>CATALOGUE<\/strong><\/p>\n<p><em>Changing Hands 3<\/em> is accompanied by a 160-page full-colour catalogue with an essay by<\/p>\n<p>guest curator Ellen Taubman and Museum of Arts and Design\u2019s Chief Curator David<\/p>\n<p>McFadden, which provides an overview of the exhibition and explores the impact of the<\/p>\n<p><em>Changing Hands<\/em> series on perceptions of Aboriginal art and its lack of representation in<\/p>\n<p>galleries and exhibitions. The catalogue also includes biographies and vision statements<\/p>\n<p>for each of the featured artists, printed alongside images of their works from <em>Changing<\/em><\/p>\n<p><em>Hands 3 <\/em>and is available both online and at the McMichael Gallery Shop.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ABOUT THE MUSEUM OF ARTS AND DESIGN<\/strong><\/p>\n<p>The <a href=\"http:\/\/www.madmuseum.org\/\">Museum of Arts and Design <\/a>(MAD) explores the blur zone between art, design, and<\/p>\n<p>craft today. The Museum focuses on contemporary creativity and the ways in which<\/p>\n<p>artists and designers from around the world transform materials through processes<\/p>\n<p>ranging from the artisanal to digital. The Museum\u2019s exhibition program explores and<\/p>\n<p>illuminates issues and ideas, highlights creativity and craftsmanship, and celebrates the<\/p>\n<p>limitless potential of materials and techniques when used by gifted and innovative artists. MAD\u2019s permanent collection is global in scope and focuses on art, craft, and design from 1950 to the present day.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>About the McMichael Canadian Art Collection <\/strong><\/p>\n<p>The McMichael Canadian Art Collection is an agency of the Government of Ontario and<\/p>\n<p>acknowledges the support of the Ministry of Tourism, Culture and Sport. It is the<\/p>\n<p>foremost venue in the country showcasing the Group of Seven and their contemporaries. In addition to touring exhibitions, its permanent collection consists of almost 6,000 artworks by Canadian artists, including paintings by the Group of Seven and their contemporaries, as well as First Nations, M\u00e9tis, and Inuit artists. The gallery is located at 10365 Islington Avenue, Kleinburg, north of Major Mackenzie Drive in the City of Vaughan. For more information: <a href=\"http:\/\/www.mcmichael.com\/\">mcmichael.com<\/a><\/p>\n<p><strong>To obtain a list of works with high-resolution images available, contact:<\/strong><\/p>\n<p>Michelle Kortinen, Communications Coordinator<\/p>\n<p>McMichael Canadian Art Collection<\/p>\n<p>905.893.1121 ext. 2210<\/p>\n<p>mkortinen@mcmichael.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FOR IMMEDIATE RELEASE March 21, 2013, KLEINBURG ON\u2014Currently on display at the McMichael, the third and final exhibition in the Museum of Arts and Design\u2019s groundbreaking series Changing Hands: Art Without Reservation 3, Contemporary Native North American Art from the Northeast and Southeast features eighty-three artists from Canada and the United States, who represent a <a href=\"https:\/\/mcmichael.com\/fr\/communique-de-presse\/contemporary-native-north-american-art-transcends-tradition-in-changing-hands-3-at-the-mcmichael-canadian-art-collection\/\"> [&#8230;]<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"_tec_requires_first_save":true,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"_tribe_blocks_recurrence_rules":"","_tribe_blocks_recurrence_description":"","_tribe_blocks_recurrence_exclusions":"","_ecp_custom_15":"","_ecp_custom_16":"","_ecp_custom_17":""},"class_list":["post-37223501524","press-release","type-press-release","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mcmichael.com\/fr\/wp-json\/wp\/v2\/press-release\/37223501524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mcmichael.com\/fr\/wp-json\/wp\/v2\/press-release"}],"about":[{"href":"https:\/\/mcmichael.com\/fr\/wp-json\/wp\/v2\/types\/press-release"}],"wp:attachment":[{"href":"https:\/\/mcmichael.com\/fr\/wp-json\/wp\/v2\/media?parent=37223501524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}