{"id":37223549279,"date":"2022-02-02T16:26:39","date_gmt":"2022-02-02T21:26:39","guid":{"rendered":"https:\/\/mcmichael1.wpenginepowered.com\/?post_type=tribe_events&p=37223549279"},"modified":"2022-02-17T16:16:16","modified_gmt":"2022-02-17T21:16:16","slug":"art-of-quebec-virtual-presentation","status":"publish","type":"tribe_events","link":"https:\/\/mcmichael.com\/fr\/evenement\/art-of-quebec-virtual-presentation\/","title":{"rendered":"L\u2019Art du Qu\u00e9bec pr\u00e9sentation virtuelle"},"content":{"rendered":"

L\u2019Art du Qu\u00e9bec dans la collection des Sobeys, Pr\u00e9sentation virtuelle en fran\u00e7ais |<\/em><\/span> Art of Quebec in the Sobey Family Collection, Virtual Presentation in French<\/span> <\/span><\/h1>\n
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Mardi 15 mars, 2022 |<\/span> Tuesday, March 15 , 2022
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\u00e0 17 h | 5<\/span><\/span> pm EST<\/span><\/h1>\n
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Gratuit sur inscription | <\/span>Free, registration required <\/span><\/h1>\n
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Generations The Sobey Family and Canadian Art<\/a><\/p>\n<\/div>

Voir l’exposition<\/span><\/a><\/div>
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obtenir des marchandises d’exposition<\/span><\/a><\/div>
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J.W. Morrice (1865\u20131924), Winter Sleigh Scene, 1897, oil on canvas, 59.7 x 81.3 cm, Collection of Donald and Beth Sobey, Photo courtesy of The Kalaman Group<\/figcaption><\/figure>\n<\/div>
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\u00a0\u00e0 propos de l’\u00e9v\u00e9nement<\/span><\/h2>\n

Cette pr\u00e9sentation virtuelle examinera comment cette collection exceptionnelle appartenant au domaine priv\u00e9 t\u00e9moigne du d\u00e9veloppement de l\u2019art qu\u00e9b\u00e9cois pendant un si\u00e8cle et demi, depuis Cornelius Krieghoff jusqu\u2019\u00e0 Jean Paul Lemieux en passant par J.W. Morrice, Clarence Gagnon, Paul-\u00c9mile Borduas et Jean Paul Riopelle. Tout au long de la pr\u00e9sentation, on s\u2019interrogera sur la distinction entre art qu\u00e9b\u00e9cois et art canadien de m\u00eame que sur les notions de territoire, r\u00e9el ou imaginaire, pour enfin aborder la qu\u00eate d\u2019identit\u00e9 et la sensibilit\u00e9 universelle qui animent profond\u00e9ment les artistes pr\u00e9sent\u00e9s dont les \u0153uvres sont connues et reconnues au-del\u00e0 des fronti\u00e8res du pays.<\/span><\/p>\n

\u00e0 propos de l’orateur<\/span><\/h2>\n

Mich\u00e8le Grandbois a \u00e9t\u00e9 professeur d\u2019histoire de l\u2019art et conservatrice de l\u2019art moderne au Mus\u00e9e nationale des beaux-arts du Qu\u00e9bec. Historienne de l\u2019art ind\u00e9pendante depuis sa retraite du MNBAQ, elle est l\u2019auteur de plusieurs textes publi\u00e9s sur l\u2019art qu\u00e9b\u00e9cois. Elle travaille actuellement au catalogue raisonn\u00e9 des \u0153uvres de Jean Paul Lemieux ainsi qu\u2019\u00e0 la r\u00e9daction d\u2019un livre intitul\u00e9\u202fArt et Artistes de Qu\u00e9bec pour l\u2019Institut de l\u2019art canadien.<\/span><\/p>\n<\/div>

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About the event
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This virtual presentation, delivered entirely in French, will highlight how the exceptional private collection of the Sobey family documents the evolution of art in Quebec over 150 years. Led by art historian Mich\u00e8le Grandbois, this presentation will explore the works of Cornelius Krieghoff, Jean Paul Lemieux, J.W. Morrice, Clarence Gagnon, Paul-\u00c9mile Borduas, and Jean Paul Riopelle. Grandbois will also examine the distinction between Quebec and Canadian art, as well as the notion of territory, both real and imaginary, together with the search for identity that informed the works of these talented Quebec artists<\/span><\/p>\n

About the speaker
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Mich\u00e8le Grandbois is a former teacher of art history at Laval University and former curator of modern art at the Mus\u00e9e national des beaux-arts du Qu\u00e9bec. Grandbois is currently pursuing her passion as an art historian and has published several essays on the art of Quebec. She is currently writing a catalogue raisonn\u00e9 Jean Paul Lemieux\u2019s work, as well as a book project on the art and artists of Quebec for the Art Canada Institute.<\/span><\/p>\n<\/div>

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