This major exhibition of Canadian women artists coincides with, and offers commentary on, the centenary celebration of the Group of Seven.

Denyse Thomasos (1964–2012) was a Trinidadian-Canadian artist whose epic paintings incorporate imagery from a range of sources, including Caribbean textiles, historic slave ships, industrial shipyards, graveyards, villages and maximum security prisons.

Early Days will gather remarkable artworks together, and the stories that go with them, in an eight-month celebration of these powerful legacies. The show will also include recent acquisitions reflecting the diversity and vitality of Indigenous art in Canada today.

Uprising: The Power of Mother Earth, co-produced by the Thunder Bay Art Gallery and Carleton University Art Gallery, is the first retrospective of Christi Belcourt’s work, and spans more than twenty-five years of her art-making career.

Brenda Draney’s paintings, with their gestural mark-making and wide expanses of canvas, present fragmented narratives that stem from her personal history as a Cree woman, living in northern Alberta.

Hartman's portraits speak to the power of the imagination in experiencing – physically, emotionally and philosophically – the diverse landscapes of our country and the stories that they hold.

This special presentation of works on paper by the Canadian painter and printmaker Walter J. Phillips (1884–1963) explores the artist’s emotional connection and artistic response to Ontario’s Lake of the Woods region.

In 2020, we will be celebrating the achievement of the Group of Seven on the centenary of their first exhibition with a special installation of work from our permanent collection.

Among the great treasures of the McMichael Canadian Art Collection is a group of fifty-four jewel-like miniatures by the artist Clarence Gagnon.

Into the Light: Lionel LeMoine FitzGerald is a comprehensive examination of the accomplishments and legacy of the Winnipeg artist Lionel LeMoine FitzGerald (1890–1956), the last member to join the Group of Seven in 1932.