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Early Days: Indigenous Art at the McMichael

September 20, 2025 โ€“ Spring 2026

Acrylic on canvas

Native Art Department International, Anzinaago Caught in a Transformation, 01 2024, acrylic on canvas, 48 x 60 in., 121.92 x 152.40 cm

After a landmark international tour, Early Days: Indigenous Art the McMichael returns to the McMichael Canadian Art Collection. First presented in 2020-2021, this critically acclaimed exhibition has become a defining exploration of the depth, diversity, and vitality of Indigenous art in Canada. This re-presented version is expanded including new and never before exhibited works.

Organized in close collaboration with Indigenous artists, scholars, and knowledge keepers, Early Days presents more than 100 works from the McMichaelโ€™s permanent collection. Works on view span over two centuries- from 18th-century ceremonial regalia and trade items to the groundbreaking work of artists from the 1960s through the 1980s, and powerful contemporary pieces by leading voices today. The exhibition showcases work by Norval Morrisseau, Robert Houle, Carl Beam, Alex Janvier, Shelly Niro, Faye HeavyShield, Rebecca Belmore, Kent Monkman, Meryl McMaster, and many others. Their worksโ€”including painting, sculpture, printmaking, textile, and videoโ€” reveal the cultural continuity, resilience, and innovation of Indigenous artistic practices across generations.

acrylic on canvas

Lawrence Paul Yuxweluptun (b. 1957), New Climate Landscape (Northwest Coast Climate Change), 2019, acrylic on canvas,193 ร— 243.8 cm, McMichael Canadian Art Collection, Kleinburg, Purchase, BMO Financial Group, 2020, 2020.10, Photo: Craig Boyko, ยฉ Lawrence Paul Yuxweluptun.

Stylized image of three people looking to the left. Images of birds and reptiles are apparent. The whole is brightly coloured in blues, greens, purples, oranges, reds and browns and some white within outlines of black.

Norval Morrisseau (1932โ€“2007), Shaman and Disciples, 1979, acrylic on canvas, 180.5 x 211.5 cm, Purchase 1979, McMichael Canadian Art Collection 1979.34.7

Shoes altered with plaster, gesso and acrylic paint

Faye HeavyShield (born 1953), Sisters, 1993, shoes altered with plaster, gesso and acrylic paint, outside diameter installed: 105 cm, Purchase 1995, McMichael Canadian Art Collection, 1995.2.A .L

As the only museum in Canada devoted exclusively to Canadian art, the McMichael collection offers a unique platform to explore the evolving story of Indigenous art in Canada today. Early Days invites reflection on our relationships to land, to ancestors, and to one another, while confronting the complex tensions between past and present.

The exhibition is accompanied by an award-winning catalogue edited by Anishinaabe artist and scholar Bonnie Devine. Gathering insights from myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques to the history of Northwest Coast mask making to the emergence of the Woodland style of painting and printmaking to the challenges of art making in the Arctic, the publication offers a wide-ranging lens into Indigenous artistic practices. Collectively, these voices illuminate the enduring vibrancy of Indigenous art across Turtle Island, past and present.

Wood with paint statue

Haida, Raven Rattle, c. 1825, wood with paint, 11 x 31.7 x 10.3 cm, Purchase 1974, McMichael Canadian Art Collection

LED firebox with transmounted lightjet chromogenic transparency

Dana Claxton (b. 1959), Headdressโ€”Shadae, 2019, LED firebox with transmounted lightjet chromogenic transparency, 152.4 ร— 101.6 cm, Purchase, BMO Financial Group, 2020, 2020.5, Photo: Craig Boyko, ยฉ Dana Claxton.

Nisgaโ€™a Face Mask

Nisgaโ€™a, Face Mask, 1850, wood with paint and abalone inlay, 22.5 x 20.8 x 11.3 cm, Purchase 1979, McMichael Canadian Art Collection, 1979.5

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Early Days: Indigenous Art from the McMichael

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