Kent Monkman,
Compositional Study for “tâpwêwin (Truth),” 2025

Kent Monkman (b. 1965) is a leading Cree visual artist from Fisher River Cree Nation in Treaty 5 Territory, Manitoba, and is currently based in Toronto. Compositional Study for “tâpwêwin (Truth),” 2025, is part of Monkman’s new Knowledge Keeper series, a body of work examining the history and enduring impact of Canada’s residential school system. Drawing inspiration from Jean-François Millet’s The Gleaners, 1857, Monkman reimagines the scene with three Indigenous boys, wearing residential school uniforms, at work in a field at dusk. The flatness of the prairie-like landscape evokes Monkman’s home territory of Manitoba, while the watchful pose of one boy suggests a lingering threat just beyond the frame.
In contrast to Monkman’s well-known satirical paintings featuring Miss Chief Eagle Testickle and often including irreverent, homoerotic elements, this work adopts a tender, contemplative tone, focusing on the resilience and promise embodied in its young subjects despite the hardship imposed on them.
The work is rich in Indigenous cultural references: faint Thunderbirds emerge in the clouds, bison are subtly suggested in distant stands of trees, and the word “tâpwêwin” (Cree for “truth”) is inscribed in syllabics in the soil by one of the boys. By centring the lives and agency of Indigenous children, Compositional Study for “tâpwêwin (Truth)” offers both a record of injustice and a vision of cultural resilience.
This work was acquired for the McMichael through the generous support of Rosamond Ivey.
Kent Monkman
Compositional Study for “tâpwêwin (Truth)“
2025
from the Knowledge Keepers series
acrylic on canvas
137.8 x 182.9 cm
McMichael Canadian Art Collection
Purchased with the support of Rosamond Ivey
TD2025.32
© Kent Monkman
Jean-François Millet
The Gleaners
1857
oil on canvas
83.8 x 111.8 cm
Musée d’Orsay, Paris
Installation photo of Early Days: Indigenous Art at the McMichael at the McMichael Canadian Art Collection
2025–2026
Early Days: Indigenous Art at the McMichael
On view through MAR 29, 2026
Discover more than one hundred works that tell the story of Indigenous art in Canada
Early Days: Indigenous Art at the McMichael
related articles
David Hartman Captures Sandra Brewster’s Creative Process in New Short Film
November 6, 2025Back in 2021, the McMichael teamed up with the Koerner Foundation and the acclaimed Canadian filmmaker David Hartman to create a series of short documentaries that pull back the curtain on the lives and practices of some of Canada’s most celebrated contemporary artists represented in the McMichael’s collection. Each film offers an intimate glimpse into their studios and landscapes, inviting us to listen as they share stories of creativity, process, and the inspirations that shape their work.
Anne Low, Dream Meadow, 2023
November 10, 2025Dream Meadow, 2023, is a textile-based sculpture made by the artist Anne Low (b. 1981) in her former studio on Denman Island in British Columbia. The work comprises a long skirt and pocketed apron with attached adornments. The striped textiles used to create the skirt and its lining were handwoven by the artist on a loom with hand-dyed wool and silk, using eighteenth- and nineteenth-century weaving techniques and historic patterns.
Kananginak Pootoogook, Two Caribou, 2008–2009
November 10, 2025Two Caribou, 2008–2009, by Kananginak Pootoogook (1935–2010), is a rich example of contemporary drawing from Kinngait (formerly Cape Dorset), Nunavut, depicting two bull caribou locked in battle, perhaps over a mate. Hooves fly and antlers clash, lending a sense of immediacy to the conflict.
Native Art Department International, Aanzinaago (Caught in a Transformation) 01, 2024
November 10, 2025Last year at Art Toronto we acquired Aanzinaago (Caught in a Transformation) 01, 2024, by Native Art Department International (NADI), for the collection at the McMichael. NADI is a collaborative long-term project created and administered by the Ojibwe Anishinaabe performance artist, sculptor, and mixed-media artist Maria Hupfield (b. 1975) and the Chiricahua Apache and Mexican multimedia artist Jason Lujan (b. 1971).
Nep Sidhu and Nicholas Galanin, SHE in Mud Form, 2015–16
December 27, 2025SHE in Mud Form, 2015–16, is a landmark cross-cultural collaboration between Nep Sidhu and Nicholas Galanin, forming part of their ongoing series No Pigs in Paradise.
Lawren Harris, Mount Lefroy, c. 1929
January 2, 2026Mount Lefroy, c. 1929, by the Group of Seven’s Lawren S. Harris (1885–1970), is one of the five known graphite studies for his iconic painting Mt. Lefroy, 1930, a standout in the McMichael collection.
Director’s Choice: Lucy Qinnuayuak
January 5, 2026One of the pleasures of exploring the Kinngait Drawings Archive is discovering works by artists who may not have the household name recognition they deserve. Lucy Qinnuayuak (1915–1982) is one such artist.