Stan Douglas:
Tales of Empire
For more than four decades, the Vancouver-based artist Stan Douglas has built a rigorous, internationally acclaimed practice. Renowned for his intellectual depth, cinematic vision, and sustained engagement with history and literature, Douglas works across the media of photography, film, and installation to examine how power, memory, and ideology are constructed—and how the past continues to reverberate in the present.
With Stan Douglas: Tales of Empire, the McMichael presents a focused survey of the artist’s work, bringing together key projects that relate to the enduring impositions and contradictions of empire. The exhibition invites viewers to consider how historical narratives are formed, mediated, and reimagined over time.
Since opening, Tales of Empire has received thoughtful national and international attention. Below are selected highlights from recent press coverage, offering further insight into Douglas’s practice and the ideas shaping the exhibition.
Forbes
In an interview with Chadd Scott for Forbes, Douglas reflects on his long-standing use of reenactment as a way of grappling with historical and geographical distance:
“I try to make work to help me understand something, something which is historically or spatially distant. I want to be able to have it in front of me, to see what this is,” Douglas explains. “Often it involves collecting, gathering material as a way of presenting things which were different together in the first place…but occasionally there’s more of a speculative fiction—what might have happened in this place and time.”
The Globe and Mail
In conversation with The Globe and Mail art critic, Kate Taylor, Douglas speaks to his interest in layering meaning and reference—inviting viewers to experience both recognition and disruption:
“I find it fascinating, a sort of biological possibility, taking historical artifacts that someone may recognize and then doing something else with that on top of it,” he says. “So maybe the audience can only understand the new thing they’re witnessing, or they may have an understanding of the previous reference I’m making, and that will give them a new perspective.”
CBC Radio
Douglas also joined Ismaila Alfa on CBC Radio’s Fresh Air for an in-depth conversation about the themes of Tales of Empire and his approach to interrogating history through image-making:
“When I look at a place, I always wonder how it came to be the way it is,” Douglas says. “Especially when you find a place with some kind of antinomy, where things are contradictory—how did those contradictions come to pass and why is it tolerated?”
Stan Douglas
Quarry, Vedado
2004
chromogenic print on aluminum
121.9 × 185.4 cm
The Strand Collection, Vancouver
© Stan Douglas
Stan Douglas
Masonic Lodge, Barkerville
2006
Laserchrome print
127 × 145 cm
Collection of the Vancouver Art Gallery
Gift of the artist
© Stan Douglas
Stan Douglas
Tong Building, Quesnel Forks
2006
Laserchrome print
75 × 84 cm
Collection of the Vancouver Art Gallery
Gift of the artist
© Stan Douglas
Stan Douglas
Cook
2006
chromogenic LightJet print on Dibond aluminum
83.8 × 68.6 cm
Courtesy of the artist, Victoria Miro, and David Zwirner
© Stan Douglas
Stan Douglas
Thief
2006
chromogenic LightJet print on Dibond aluminum
83.8 × 68.6 cm
Courtesy of the artist, Victoria Miro, and David Zwirner
© Stan Douglas
Stan Douglas
Prisoner
2006
chromogenic LightJet print on Dibond aluminum
83.8 × 68.6 cm
Courtesy of the artist, Victoria Miro, and David Zwirner
© Stan Douglas
Stan Douglas: Tales of Empire
On view through Mar 22, 2026
Global legacies of colonialism through the lens of one of Canada’s most celebrated artists.
Stan Douglas: Tales of Empire
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