Inuit Art

The McMichael’s Inuit collection is a major public resource. We collect and exhibit contemporary Inuit art in all its diversity, and works by a broad range of Inuit artists are always on display in both the permanent collection and in special exhibitions. The collection includes paintings, prints, drawings and sculptures created using many different materials.

The McMichael collection is supplemented by the long-term loan of over 100,000 drawings, prints, and sculptures from the West Baffin Eskimo Co-operative Ltd., based in Cape Dorset (Nunavut). Sanaunguabik (The place where things are made) was the name given in Inuktitut to the Print Shop where original drawings by Inuit artists were translated into stone cuts, lithographs and etchings, for sale in the South.

Drawing of the head of a woman. She has bright pink lips, black hair standing straight up with two strands hanging on either side of her face. She is wearing a necklace.
Sculpture of an twin-engine airplane in green coloured stone.
Image of stylized bird looking toward viewer with two pairs of wings outstretched. Image is yellow, blue, brown and black .

Since the late 1950s, residents of Cape Dorset and other communities have produced thousands of drawings, only a few of which were published and distributed as limited edition prints. Between 1960 and 1989 the vast majority of Inuit art disseminated throughout the world was selected through a Southern agency called the Canadian Eskimo Arts Council (CEAC). Initially devised as a group of Southern experts, the Council’s role was to adjudicate and approve the choice of images for print editions produced by Inuit communities for Southern markets.

In 1992, after a disastrous fire in Baker Lake that destroyed the studio and its holdings, the Board of the West Baffin Eskimo Co-op (WBEC) in Cape Dorset transferred their archive of almost 100,000 drawings and prints to the McMichael to be preserved and made accessible through technology. In 2012, McMichael became a partner in a Social Sciences and Humanities Research Council major research grant project ‘Mobilizing Inuit Cultural Heritage’ (MICH), which seeks to ensure that Inuit people and especially youth and artists have access to their own cultural productions.

Iningat Ilagiit

Inuit artists from Kinngait (Cape Dorset) have created thousands of drawings. Approximately 100,000 of these artworks are housed at the McMichael Canadian Art Collection for the West Baffin Eskimo Co-op. Almost 4,000 of these drawings, as well as 250 photographs, are available online through the website Iningat Ilagiit, meaning “a place for family.” On the website, which is available in English, French and Inuktitut, visitors can browse the collection, and create virtual exhibitions to share with others.

Iningat Ilagiit is also a space for Inuit and Northern communities to connect with their own art and contribute to the important work of sharing Kinngait history and culture.

  • Rectangular panel of brown felt with white zigzag stitching around perimeter. Four circles in the centre of the panel in orange, yellow and brown with stylized faces in the centre. Two supine figures above the circles with four humanistic figures on their backs are orange in colour and are repeated under the circles in light blue.
  • Stone sculpture of a smiling face with tiny legs and protruding ears. There are thirteen teeth in the open mouth.
  • Drawing in light colours of aeriel view of a harbour with boats landing on a beach. Boats, vehicles and buildings on the shore.
  • Engraving in black on white paper of the rear view of four female figures.
  • Image of a caribou skeleton in yellow, grey and brown with pink antlers.
  • Rectangular image of stylized figures on water, some in canoes, hunting fish. In the centre is an image of an owl. Colours are blues, yellow, black, brown and purple printed on white paper.
  • Pencil drawing in white and yellow of head of a man on black paper. Left side of head shows features. Right side are white angular shapes to the dimension of the head with black paper showing through shapes.
  • Drawing of a bird and two polar bears in black outline, with tiny black lines indicating fur and feathers. Behind images are three pairs of leaf-shaped motifs in purple, bright turquoise and pink.
  • Black silhouettes of nine caribou in a circular arrangement on white paper.

EXHIBITIONS ON VIEW